In the very early days it was not the mainland of Greece that was the most important, but the island of Crete, which lies below the Aegean sea, south of most of the other islands. In it there are still ruins of a great palace, almost more a city than a palace, with so many rooms and passages that it must have had many people dwelling in it. These people were evidently traders and powerful on the sea. They must have been skilled shipbuilders, and from the remains we have found, we know they were also great architects, craftsmen, and artists. In later times the island sank into unimportance, and its former prominence was forgotten. Nevertheless the story of its greatness lingers on and is associated with the skills for which we know it was famous.

In legend the king of the island of Crete was called Minos. He had a great fleet and power that extended far and wide, dominating, among other places, the city of Athens. He seems to have been a fierce tyrant, for he forced the Athenians tosend him a yearly tribute of seven youths and seven maidens, whom he fed to a horrible monster that he owned. This animal was called the Minotaur and was a creature with the head of a bull and the body of a man. To keep him safe and to prevent his victims from escaping, it was necessary to build him some special dwelling. For this purpose Minos hired famous architect whose name was Daedalus.

Daedalus, the Greeks used to say, was the first great artist, craftsman, and engineer. It was he who invented many of the tools of carpentry: the saw, the gimlet, and an efficient glue. He also was the first to make statues more lifelike than a roughly carved pillar. Before this time statues had held their legs stiffly together and their arms down by their sides. Daedalus made them stepping forward and holding something in front of them. He is said to have built a great reservoir, fortified a city, and done many other engineering works. But the most famous of all the things he made was the house he built for Minos to keep the Minotaur in. This house was a labyrinth or maze, with countless winding passages, so that it was hard to find the way in or out. Perhaps the idea got into the story from a vague memory of the countless confusing passages in the Cretan palace. In any case Daedalus is supposed to have built a maze for Minos, so elaborate in its windings that no man without a clue could possibly escape from it.

Minos was delighted with his labyrinth and held the architect in great honor. Unfortunately when the wandering artist wished to take his fee and go, the king had other ideas were many things that could well be made for greatest craftsman in the world, and he saw no reason why he should let the man build things for someone else. Being king over an island, Minos found it easy to keep Daedalus where he was. He simply forbade all ships to give the artist passage, provided him with an elaborate workshop, and suggested that he might as well settle down and be happy.

Thus Minos gained the services of Daedalus, but the great craftsman was not content. Beyond anything else he loved freedom to wander as he pleased, seeing the world and picking up new ideas. He was not the kind of man who could easily settle down. Therefore when he saw that he could not possibly get away by ship, he turned his talents to working out something else. Minos did not visit the fine workshop he had given his artist, but if he had, he would have seen a curious sight. The whole place was deep in feathers. There were feathers of all shapes and sizes, some just thrown down anyhow as they had been brought in, and some neatly sorted into heaps. A young boy, Icarus, Daedalus’ only son and companion, was doing the sorting, while Daedalus himself was busy with twine, wax, and glue, fixing the feathers together in orderly rows on a wooden framework.

Daedalus was making wings. He had seen that it would be impossible to cross the sea by boat because of Minos’ order, So he had determined to fly across it, After studying the wings of birds for a long time, he designed some which he thought would support a man, and now he was working on them. Icarus was terribly excited and was helping eagerly. He did not so much dislike living in Crete, but he wanted to fly as the gods do. Think of being the first man to have wings!

The wings took a long time to finish, but at last they were done, a mighty pair for Daedalus, and a smaller one for his son. The workshop being in the top of a lofty tower, Dae-dalus planned that they should simply launch themselves into the air from it. As they stood there, fastening the wings onto their shoulders, Daedalus gave his excited son some last instructions.

“I shall go first,” he said, “to show the way. We must go straight across the sea by the shortest route, lest we become tired and drown before we can reach land. Follow me, and remember the wings on your shoulders are not natural wings, like those of Cupid. We are men and must use tools to do what the gods can do for themselves. Even with our tools we must always fall short of them. If you fly too near the sea, the feathers will become wet and heavy, and you will drown; if you fly up into the air as the gods do, the wax will melt in the sun long before you reach Olympus. Then your wings will fall off and you will perish. Follow me as I go through the middle of the air, neither too high nor too low. So you will be safe.”

He spoke and jumped, falling like a stone till the wind caught him and he steadied. Then he began to rise again as the wings beat steadily from his shoulders. He turned and beckoned Icarus to come on. Icarus jumped. The fall was terrible; so was the sudden stop as his spread wings caught the air. Still, he had the presence of mind to work his arms as he had seen his father do, and pretty soon he was sailing ahead in long swoops over the sea.

Presently the boy began to play tricks in the air. His father few steadily on, but it would be easy, Icarus thought, to catch up with him. Father was too old to enjoy this properly. The swoops were rather sickening, but climbing was wonderful. Up, up he went, like the lark, like the eagle, like the gods. His father called something, but the wind whistled the sound away. Icarus realized he ought to come down, but nobody had ever been up there before, except the gods. Perhaps the real difference between gods and men was that gods could fly. If he wanted to reach Olympus, he would have to take some risk.

Up, up Icarus went, soaring into the bright sun. In vain Daedalus called to him. He was only a black speck by now. At last he was coming down. He was coming very fast, much too fast. In another second Daedalus caught sight of the boy, whirling headlong. The framework was still on his shoulders, but the feathers had all fallen off, as the hot sun had melted the wax. One moment he saw him; then with a mighty splash Icarus hit the water and was gone. Daedalus circled round over the sea, not daring to go too low lest his own wings become soaked. There was no point in both being drowned. But not even a clutching hand broke surface. The white foam hung on the water for a space; then it too disappeared.

Daedalus flew on. He reached the land at last, white-faced and exhausted, but he would neither use his wings nor teach others how to make them. He had learned man’s limitations. It is not right for him to soar like the gods.

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